With three exhibition pieces to produce, not to mention my also having agreed to participate in H.Art* week later this year, it really is time to get my act into gear. I am not presently able to share detailed design ideas for the exhibition pieces but I can reveal that one of them will be based on the wonderful architecture of Coventry Cathedral.
In particular I am drawn to the negative shapes created by the window frames of the old part of the Cathedral – some of them have an intriguing, almost figure like, appearance.
The question is how might I go about utilising these in a quilt design …
*Herefordshire Art Week
After what can only be described as year of intense highs and lows, the start of 2019 has seen the shoots of creativity starting to sprout once more. It may not be a large piece of work (A4 sized) but ‘Rain’ is the first piece of work I have completed for a good while. Created in response to a group challenge on the theme of ‘weather’.
A few weeks back I spent a most enjoyable few days in glorious Devon at the home and studio of renowned weaver Susie Gillespie. The first two days were spent weaving on full size looms (all set up for us) – this was a first for me, but something I had always wanted to have a go at. My fabulous new friends and I were shown a number of techniques and then basically allowed to let our creative juices flow. I was going to make three small hangings from my piece but in retrospect have decided that I like the piece as a whole. The additional objects are treasures found whilst on holiday in Norway back in May/June. All the piece needs now is for me to decide how to finish off the top – perhaps hung from another piece of driftwood?
The final two days were spent in the company of well known textile artist Alice Fox. We had a great time making our own natural dyes from foraged plants and experimenting with eco printing. Both are techniques I have only dabbled with before , but am keen to explore further.
Little Bundles of Colour
Life has been a bit busy recently and I have not had chance to feature my latest quilt. Another experimental mark making piece which reminded me of a cityscape, hence the title of ‘Metropolis’. It was awarded 3rd place in the Art Quilt category at Festival of Quilts earlier in the month.
Sometimes, just sometimes, something wonderful emerges from the cooking pot!
||Take a piece of calico, a few rusty items and a handful of leaves from the garden.
||Lay everything out on the calico, wrap fabric and contents up in a bundle and tie tightly with string.
||Pop into an old cooking pot with a handful of tea bags and some water.
||Simmer gently for half an hour.
||Remove from pot and leave to cool overnight.
||Open package, rinse well and leave to neutralise in soda ash solution for a few hours.
||Rinse well, hang out to dry and finally iron.
Each year, designed to co-incide with the annual Poetry Festival, Weavers Gallery in Ledbury hosts a themed exhibition of invitational work by local textile artists. This year our theme was the life and works of Elizabeth Barrett Browning.
Dawn to Dusk
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
(from Elizabeth Barrett Browning’s poem ‘How do I love thee?’)
The Wheel Goes Round …
28 June – 8 July 2018
Weavers Gallery, Church Lane, Ledbury HR8 1DW
Open 10.00am to 4.00pm
Free entry, sadly no disabled access (first floor gallery).
I am delighted to announce that Eclectica has been shortlisted for the Fine Art Quilt Masters 2018, one of 23 pieces of work selected for inclusion in this prestigious exhibition at Festival of Quilts in August. You can see the full list of selected works here – I am in some great company.
This is one of a number of pieces of experimental mark making work which have evolved since my attending an inspirational drawing course led by renowned textile artist Matthew Harris at West Dean College early last year. It is not a quilt in the conventional sense in that I have layered, felted and stitched multiple pieces of painted muslin onto a base of wool felt. Deliberately there is no backing fabric as I wanted the drape of the wool to be an inherent feature of the piece.
Eclectica – detail
Fish ‘n’ Chips
Fish ‘n’ Chips is touring (2018-2019) with Contemporary Quilt’s ‘In Print’ challenge exhibition. Our first venue is The Forge Mill Needle Museum, Redditch and runs from 25th May until 8th July 2018. Other venues and dates will be announced in due course.
Monoprinted on calico using artists acrylic paint. Transfer printed appliquéd transparent fabric and acetone printed newspaper ‘chips’. Machine and hand quilting.
During March and April Hereford Cathedral hosted the travelling Weeping Window installation, a collaborative piece by artist Paul Cummins and designer Tom Piper. A subset of the original Tower of London Poppies, created to commemorate the First World War centenary, this work captured my imagination.
Hereford Cathedral, Weeping Window March/April 2018
Hereford Cathedral, Weeping Window, detail
Still sticking with my mark making theme – this is an A4 sample piece I made in response.
Weeping Window Detail
The mark making experimentation continues – this time I have tried layering painted muslin to give depth to the image. When I made this I had no idea of a title but ‘Marshlands’ seems appropriate. I am not so sure about the formality of the gridded tied background quilting but I love the zing which the Frosted Matt fluorescent thread adds! The finished sample is just 9″ x 7″ in size.